Gage Opdenbrouw
ARTIST’S STATEMENT
As I returned to Oakland, by driving 4000 miles from Pennsylvania, across the southern route, in later February of 2020, I planned to do two things—get ready to teach several travel workshops, and pack up my studio in oakland so I could move east in the fall. I was in Amarillo Texas when I got read the article about the pandemic in the NYT—I started to get the sinking feeling, like a lurch, that w=the year was going to be very different from what I envisioned. It was a year of constant scramble, emergency moves, an orange sky, thick smoke and crazy heat, strange light and shifting sands. What I’m saying is that it wasn’t a year for considered reflection, or not in the regular way of keeping a sketchbook. But I did return to certain motifs close at hand from my day to day surroundings as often as circumstances would permit, here are some of those results—oil on panel, and paper, and ink wash and pencil on paper. Most of these are from Summer through Fall of 2020, an attempt to find respite, quiet, and a meditative moment, maybe even beauty, in turbulent times.
Baker Beach w/smoke sketchbook
Funston looking south 2 morning
Funston looking south heavy smoke
Funston looking south
Headlands from immigrant point sketchbook
Lands end from baker beach sketchbook ink wash
Mountain lake
Oakland Hills Ink wash sketchbook
Potato Shoals Ink Wash
Sept. 9 2 orange day study SF garden
Sept 9 2020 or Orange day 1 SF garden
SF Garden April 21, 9 20 am
SF Garden Golden Winter Light Tree 230pm
SF Garden March 4 829am
SF Garden Spring 7 morning with fog
SF Garden window dark rain morning
SF Garden window night with glare and flowers
SF Garden window, golden morning light