Rolls & Tubes Collective
Christy McDonald - Colleen Mullins - Jenny Sampson - Nicole White
The commodification of the commonplace has become a running theme of the COVID-19 pandemic. Having made homebodies of us all, COVID-19 has created absurd rolling shortages, of flour, hair dye, and of course, toilet paper. This was the genesis of the ongoing work by the Rolls & Tubes Collective. In this work, each of the four artists has reinterpreted a known photograph in the arc of contemporary, and the history of photography, utilizing toilet paper as an element of the image
Christy McDonald
Photo Noir et Blanc, 2020 / after Man Ray, Noir et Blanche, 1926 Christy McDonald
Maggie, 2020 / after William Wegman, Pat, 1998 Christy McDonald
Chris-tp, King Park, Berkeley, 2020 / after Annie Leibovitz, Christo, Central Park, New York City, 1981 Christy McDonald
Side Show, Berkeley, California, 2020 / after Robert Frank, Parade, Hoboken, New Jersey, 1955 Christy McDonald
A Woman and her Dogs, (inscribed “to Fiona...from one toilet paper hound to another”), 2020 / after Elliott Erwitt, A Woman and Her Dogs (inscribed “for Neil...from one picture hound to another”), 1974 Christy McDonald
Colleen Mullins
EVERY...Roll Is Different, Ingredients; tubes and rolls collected in two visits from Instacart America, 2020 / after Mandy Barker, EVERY…Snowflake Is Different, Ingredients; white marine plastic debris collected in two single visits to the shoreline at Spurn Point Nature Reserve England, 2011 Colleen Mullins
Chartum purgamentum init carota, 2020 / after Anna Atkins, Alaria esculenta, 1848–49 Colleen Mullins
Pandemic Frenzy, 2020 / after Anna and Bernhard Blume, Kitchen Frenzy, 1986 Colleen Mullins
Pandemic Frenzy, 2020 / after Anna and Bernhard Blume, Kitchen Frenzy, 1986 JLo, 2020 / after Judith Golden, Goldie Hawn, 1976-78 Colleen Mullins
Moonburned TP#34 (As needed, Western Addition, California), 2020 / after Chris McCaw, Sunburned GSP#839 (Every 30 minutes, Arctic Circle, Alaska), 2015 Colleen Mullins
Jenny Sampson
Papeeja Ferolls Un-done, a Deputy Directress of Corona, Veils Face and Hands in the Presence of Me, 2020 / after Margaret Bourke-White, Khadeeja Feroze Ud-din, a Deputy Directress of Education, Veils Face and Hands in the Presence of Men, 1947 Jenny Sampson
untitled, n.d. / after Gita Lenz, untitled, n.d. Jenny Sampson
Toilet Paper Camellia Not in Water, 2020 / after Consuelo Kanaga, Camellia in Water, 1927-1928 Jenny Sampson
Blue TP Moon/Green Window/Grandma’s Chair, 2020 / after John Baldessari, Blue Moon/Yellow Window/Ghost Chair, 1990 Jenny Sampson
Berkeley Dining Room Table Drive-In, 2020 / after Hiroshi Sugimoto, Union City Drive-In, 1993 Jenny Sampson
Nicole White
U.S. Paperological Survey, Surface of Scott Extra Soft, Day 36, 2020 / after U.S. Geological Survey and NASA, Surveyor III, Surface of the Moon, Day 319, W-F, 1967 Nicole White
Advertisement, 2020 / after Paul Outerbridge Jr., Advertisement, 1938 Nicole White
Falling Roll (full circle), 2020 / after Abelardo Morell, Motion Study of Falling Pitcher, 2004 Nicole White
Falling Roll (full circle), 2020 / after Abelardo Morell, Motion Study of Falling Pitcher, 2004 Still Life with Apples, Pears and Charmin Forever Roll, 2020 / after Daniel Gordon, Still Life with Pitcher and Apples, 2013 Nicole White
Oakland, 2020 / after Kenneth Josephson, Chicago, 1964 Nicole White
ARTIST BIOGRAPHIES
Christy McDonald
Christy McDonald is a documentary and street photographer who travels extensively using photography as a way of engaging with the people and places she explores. Her work focuses on finding the beauty and stories in the often unseen moments of everyday life. Based in the San Francisco Bay Area, Christy holds a B.A. in Art (photography) from UC Berkeley, is a member of the Rolls and Tubes Photographic Collective, and has ongoing projects in parts of the Middle East and California Central Valley. More of her work can be seen at christymcdonald.net as well as at @christymphoto & @rolls_and_tubes on Instagram.
Colleen Mullins
Colleen Mullins is a San Francisco based photographer and book artist. She holds a BA from San Francisco State University, and an MFA from the University of Minnesota. Her work is concerned with incongruous storytelling, ranging from environmentally-concerned urban forest management after natural disasters to the monument removal movement. She has been the recipient of numerous grants including four Minnesota State Arts Board and two McKnight Fellowships. Her work is in the collections of Ogden Museum of Southern Art, Southeast Museum of Photography, and the United States Embassy, Moscow among others. Mullins’ work has been seen in various periodicals, including The New York Times Lens, PDN, The Oxford American Eyes on the South, Black & White Magazine, and Monthly Photo, to name a few. Mullins has been an artist in residence at Vermont Studio Center, Penland School of Craft Winter Residency, and In Cahoots Residency. She was recently nominated for the Leica Oskar Barnack Award, for her project Expositions are the Timekeepers of Progress, and has been exhibited extensively in the United States. Her work examining gentrification in San Francisco, The Bone of Her Nose, will be shown in a solo exhibition at The Griffin Museum in Boston in November.
@colleen_mullins_photography
colleenmullins.net
Jenny Sampson
Jenny Sampson is a Berkeley-based photographer and received a B.A. in Psychobiology in 1991 at Pitzer College. Her focus is wet plate collodion, traditional black and white photography, and collage arts. Sampson is a member of the Rolls and Tubes photographic collective. She has exhibited her work in the United States, United Kingdom and has been published in Zyzzyva, Analog Forever Magazine, BBC, GirlTalkHQ, The Hand, SHOTS Magazine, All About Photography Magazine, Lenscratch, The Guardian, The Eye of Photography, PDN and Visual Communications Quarterly. Her work is included in the Candela Collection and other private collections. A monograph of her Skater tintype portraits was published in 2017 by Daylight Books and her follow-up series, Skater Girls in September 2020 for which Sampson was awarded the Book of the Month from Leica Fotographie International.
@jennysampsonphotography
jennysampson.com
Nicole White
Nicole White is a Bay Area artist and curator. White uses historical and contemporary photographic processes to examine the medium’s varied functionality while looking at the American cultural landscape. She holds a BFA from Massachusetts College of Art (2002), a MA in Art History from the University of Connecticut (2010) and a MFA in Studio from the School of the Art Institute of Chicago (2012). Recent exhibitions include: Beacon, Weston Art Gallery, Cincinnati, OH (2020), An Object of Their Own, Perspectives Gallery, MIAD, Milwaukee, WI (2020), and Interior Life, Filter Space, Chicago, IL (2020). She is a Professor of Art (Photography) at Diablo Valley College in Pleasant Hill, CA.
@othernicolewhite
nicolewhite.net